My new favorite way of procrastinating, and my ways of procrastinating are legion, are looking for covers of songs I love. They’re not always better, mind you, but sometimes a new interpretation is so good is that it reminds you of how good the original was. I love, have always loved, Neil Young, so this Dave Mathews cover of “Cortez the Killer” is amazing mostly because of the guitarist’s solo. His name is Warren Haynes.
“Like a Hurricane” is Neil Young another favorite. Bryan Ferry (Roxy Music) covers it in Lyon France. Ferry’s not the main attraction–the keyboardist-turned-saxophonist is ethereal.
The main attraction for me in one of my favorite Rolling Stones songs is the trombonist playing with the Tedeschi-Trucks Band. She is incredible.
Because they’re kids and just learning, the School of Rock people have put a few YouTube videos that are a little painful. I think these two have great merit. The lead singer nails “California Dreamin'” and the boy drummer and the girl bassist are freakin’ adorable.
Is it the same lead singer here? Being so young, has no right to “get” a song like this. She does.
Sometimes the interpreters are themselves exceedingly famous. Miley Cyrus’s cover of the Dolly Parton classic is, I think, stunning, and it preserves the song’s Appalachian-ness, a word I just invented. (I also like her cover of the Doors’ “Roadhouse Blues,” but it’s too racy for me to include today. It’s in another post about her, though.)
Miranda Lambert and The Gurlz do this Elvin Bishop classic justice—I like her jazzy voice. Lambert’s an animal lover, so I think there are one or two Great Danes in the studio.
I think everyone in the Western Hemisphere knows that I have a crush on an Austrian duo, the MonaLisa Twins. This was the first video I saw of them; I love also their sense of humor:
They perform at the Cavern Club in Liverpool, a replica of the club the Beatles played in Hamburg just before they hit the Big Time:
Los Lobos will never escape their cover of the Richie Valens classic. I think we’re all glad about that. I love this band. I love this performance at Watsonville High School in 1989. I’ve seen Los Lobos in concert twice. “La Bamba” got EVERYBODY cheering and dancing at both. Look at all those happy people in the audience:
Foxes and Fossils covers EVERYBODY, but I like this one for the lead singer and for the backing vocals that replicate the harmony and the punctuation (“Now don’t….don’t, don’t, don’t…) He’s right. There isn’t a good way to end this song:
“You’ve got spunk!” Lou Grant said in the first Mary Tyler Moore show. Mary Richards blushed and admitted that maybe she did. “I HATE spunk” Grant’s rejoinder was classic. So’s this song, and the lead singer has spunk.
This has always been one of my favorite Fleetwood Mac songs, and it is apparently eminently cover-able. Big big Super Bowl-esque production values here for the country group Little Big Town, and Keith Urban is showing off, but it’s still mighty darn lively. Oh, look! There’s Nicole Kidman!
Laura Nyro was one of my generation’s most gifted songwriters. Sara Bareilles, who knocked me out as Mary Magdalene in a live TV production of “Jesus Christ Superstar,” makes this song celebratory. Look at the happy people in the orchestra! The occasion? The induction of Nyro into the Rock Hall of Fame.
Hear, hear.
Just one more. In very distinguished company, watch Prince take over “While My Guitar Gently Weeps.” Sublime. He was our Amadeus.



































