England in 1819; America in 2024

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The best of times, the worst of times. Nineteen years after the Diamond Jubilee, Britain’s vaunted Navy was mauled by the German High Seas Fleet at the 1916 Battle of Jutland. At right is the British battle cruiser Invincible. She wasn’t.

And so, as of last night, neither are we. Neither am I. In my self-doubt—was everything I taught about America for over thirty years a lie?—I needed to turn to a constitutional monarchy to tamp down, if only in shallow ground, my fear for the loss of our republic. I turned, specifically, the this Shelley poem.

Shelley’s poem reminds me a bit of Jonathan Edwards’ sermon “Sinners in the Hands of an Angry God.” Both men beat the hell out of you, only to let you off the hook with the faintest of hope at the ends of their respective literary landmarks. Edwards—after some of his Puritan parishioners had fainted in the pews out of abject terror—held up the reputation of a loving God. Shelley’s more nebulous, with his “glorious Phantom.” It’s a thinner sliver of hope than God is.

Shelley was a Romantic, but he was in this case an accurate political analyst. George III, having lost America, was dotty, slipping in and out of bouts with insanity that were made worse by treatments that neither a king nor a commoner deserved. His pinch-hitter was the Prince Regent, George IV on Papa’s death, who lacked morals and wisdom and common decency. With the locomotive being invented in his time, George IV was definitely a train wreck. He was, a shipwreck, too.

Gericault, Raft of the Medusa, 1819. Inspired by a real-life shipwreck.

And finally, way down here in the essay, is my thesis: England was saved, after 1819, by a stunning series of reforms that transformed a plutocracy into something approaching democracy and likewise transformed the kind of soulless capitalism, evoked so passionately by Dickens, into an economy that—finally and reluctantly—recognized the working class as human beings.

It was not a straight path. The president-elect has theatened to turn the military loose on protestors. The British government did just that. In Manchester’s St. Peter’s Square in 1819, British cavalry charged into a crowd of working-class protesters who had the audacity to demandy parity in Parliament for urban boroughs vs. rural boroughs, dominated by the immense power of the landed aristocracy. About a dozen were killed; 400 were injured.

Peterloo.

England would continue with the kind of xenophobia that marks successful modern American politics.

Theirs was deadly, too: A million Irish died in their Famine while grain harvested in Ireland was sent to England; the Sepoy Rebellion in 1857 India would be crowned by lashing suspected ringleaders to the muzzles of cannons, which were then fired. And, of course, Britain would join in the plunder of Africa, the European competition there tempered—so fierce that it threatened war among White people on the Continent— finally, by the Congress of Berlin in 1885. In the interlude, Britain used Indian poppies to win over the Chinese, who became addicted to opium, and then fought two wars to force their trade conditions on the devastated nation. It was the Art of the Deal.

A British East India Company warship, right background, destroying Chinese junks in the First Opium War.



So Britain struggled and inflicted great cruelty. But along the way, as the power of the monarchy began to ebb and pass to Parliament (It’s notable that Article One in our Constitution is devoted to Congress). For Victorian England, this meant a kind of golden age of power and prosperity—named for a queen who thought it unwise Royal Navy sailors to grow beards–in which there was painful, incremental, but important progress.

I’m not suggesting that we are entering a similar age of reform. We are in for hard times.

Trump, born at the onset of the Boomer Generation, is the final prank we—pampered and indulged as children— have to play on the generations after us, who deserve so much better from us.

The next four years will be especially hard on women, as they were on British women in Victoria’s time, in the age of the Ripper murders, of women being banished from the industrial workforce to become the Ripper’s prey, of suffragists being force-fed in prison, a harrowing version of rape, of Emily Wilding Davison throwing herself in front of a horse at The Derby to show how ready women were to sacrifice themselves for the right to vote, of middle-class widows, required to wear, in mourning, black crepe—they went up in flames in an age when gas jets lit up middle-class homes—and of young women shell-fillers in World War I factories, called “canaries” because of the TNT poisoning that turned their skin bright yellow. TNT would sterilize some and kill others.


Women will suffer, now as they did in Victorian (and Edwardian) England. I do not know where American women are headed. I only know that I want to be there with them. I want to be there, too, with Dreamers, with union workers, with journalists, with teachers, with clergy.

Mary Travers, gone 15 years now, sings here, more cogently and more brilliantly, with Woody Guthrie’s lyrics, everything that I mean to say here.


The Dodgers’ Victory Parade and Neo-Noir Films

JJ Gittes and Mrs. Mulwray

The Los Angeles Dodgers has their World Series victory parade yesterday and that, of course, set me to wondering. This is downtown downtown L.A. What filming locations are nearby?

City Hall:

Top Row: An LAPD shield with the Hall; the not-very-good Gangster Squard; the only L.A. scene in Hollywoodland. The rest of the film was shot in Montreal. Second Row: The ending to L.A. Confidential; the same arches in Clint Eastwood’s The Changeling; L.A. Confidential’s detective bullpen was also shot inside City Hall. Bottom: A bored JJ Gittes at the City Council meeting, shot inside City Hall, as well.

Grand Avenue: In Chinatown, a valet brings up Mrs. Mulwray’s car outside the Millenium Biltmore. It’s a dreamy 1936 Packard.

Second Street Tunnel: Featured in Blade Runner (1982).

Fourth Street Bridge: In Devil in the Blue Dress, Denzel Washington is about to be picked up by that approaching car; Washington as Easy, Don Cheadle as his sidekick, Mouse. The Bridge and the “river” below were also featured in the 1954 Giant Ant Thriller, Them! Them! is no match for James Arness’s snub-nosed .38.

Los Angeles Central Library, Fifth and Grand. In Collateral, accrosss the street, hapless cabbie Max (Jamie Foxx) picks up a fare named Vincent, who turns out to be a hit man.

The Abercombie Building, W. Fifth. The interior was featured in Ridley Scott’s Blade Runner (1983).

Nearby:

Spring Street: An unlikely long-distance revolver shot kills Evelyn Mulwray in the tragic finale of Chinatown.

W. 6th Street. The Bliss Cafe stands in for an Asian-American nightclub in Collateral. In it, hit man Vincent seeks his victim, kind of messily.


E. 6th Street: In L.A. Confidential, what seems to be a gangland hit at The Nite Owl turns out to be an LAPD job.


Flower Street: Uma Thurman and John Travolta enter the twist contest at Jack Rabbit Slim’s in the noir-ish Pulp Fiction.

West 7th Street: The Prince stands in for the 1926 Brown Derby in Chinatown.

Mija y tuyos: My daughter and yours.

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U.S. Army Specialist Vanessa Guillen was murdered at what was then Fort Hood, Texas, in April 2020. She was twenty years old. The details are horrific. She was beaten to death with a hammer and her body was dismembered and buried along the Leon River. The prime suspect, Aaron Robinson—who may have been sexually harassing Guillen—was arrested for the murder, He escaped but shot himself dead with a handgun before he could be re-arrested.

The crime was so horrific that it became integrated into the “Me Too” movement, which is no less important now than it was, a short but forgotten memory ago, for men like Harvey Weinstein and Bill Cosby.

Coincidentally, then-President Trump met with Guillen’s mother at the White House. Here is the photo op.


Trump promised to pay for Vanessa’s funeral expenses.

Today, multiple sources, including The Atlantic, whose credibility includes the fact that it’s been a journal of literature, culture and politics since 1857, are reporting that Trump reneged on that promise.

It gets worse.

What the former president balked at was the bill for the soldier’s funeral.

“$60,000? For a fucking Mexican?”

It’s a quote in keeping with his previous comments on American soldiers: He called the Marines at Belleau Wood “losers.” In 1918, they assaulted German machine-gun nests at Belleau Wood–the Germans remembered that the Yanks were firing from the hip and smoking cigarettes as they advanced–and overran them.

These are modern-day Camp Lejeune Marines re-enacting that assault. This is hard to watch, but the Marine Spirit is evinced in the weapons of some of the assault troops: They are armed with short-barreled pump-action shotguns, which means that they intended to fire their weapons into the faces of the German machine-gunners.



At Arlington, he confessed that he didn’t understnd the place. “What as in it for them?”

He objected to the presence of a disabled veteran at a public ceremony: “Nobody wants to see that!”

In a fundamental—eighth grade—misunderstanding of the Constitution, he referred to military commanders as “my generals.”

And Mexicans? “Murderers and rapists,” from the day he rode down that escalator.

History teaches us that there is nothing new, not even the most venal. This was a stunning moment at the 1954 Army-McCarthy hearings, when Sen. McCarthy accused the United States Army of being riddled with communists and “fellow travelers,” including a young soldier. The chief counsel for the Army, Joseph Welch, finally confronted the powerful McCarthy:


Thankfully, McCarthy soon died. His influence hasn’t. His counsel, Roy Cohn, later became one of Donald J. Trump’s most important mentors.

What passes for Trump’s faith comes from the otherwise benign Norman Vincent Peale, whose book The Power of Positive Thinking, has been fused with the thinking of Nazi propagandist Joseph Goebbels: If you believe in anything strongly enough, it becomes the truth.

Trump borrowed another concept from Joe McCarthy: The senator began his anti-communist crusade in 1950 with a West Virginia speech entitled “The Enemy Within.”

I keep thinking, because I am a history teacher who loves his country, that I have outgrown my capacity at outrage for those who don’t. Every time i see a pickup truck with an American flag and a Trump flag, I see a contradiction. It’s a conclusion based in fact: On January 6, 2020, the Capitol rioters tore down an American flag and replaced it with a “Trump 2020” flag.

The two flags don’t belong together. They are mutually contradictory.

I have one more thing to say, because it’s important to me.

“A fucking Mexican?” So was this soldier, Jose Mendoza Lopez, born in Mexico.

Here is this man’s Medal of Honor citation:

Sergeant Jose M. Lopez (then Private First Class), 23rd Infantry, near Krinkelt, Belgium, on December 17, 1944, on his own initiative, he carried his heavy machine gun from Company K’s right flank to its left, in order to protect that flank, which was in danger of being overrun by advancing enemy infantry supported by tanks.

Occupying a shallow hole offering no protection above the waist, he cut down a group of 10 Germans. Ignoring enemy fire from an advancing tank, he held his position and cut down 25 more enemy infantry attempting to turn his flank. Glancing to his right, he saw a large number of infantry swarming in from the front. Although dazed and shaken from enemy artillery fire which had crashed into the ground only a few yards away, he realized that his position soon would be outflanked.

Again, alone, he carried his machine gun to a position to the right rear of the sector; enemy tanks and infantry were forcing a withdrawal. Blown over backwards by the concussion of enemy fire, he immediately reset his gun and continued his fire. Singlehanded he held off the German horde until he was satisfied his company had effected its retirement. Again he loaded his gun on his back and in a hail of small-arms fire he ran to a point where a few of his comrades were attempting to set up another defense against the onrushing enemy.

He fired from this position until his ammunition was exhausted. Still carrying his gun, he fell back with his small group to Krinkelt. Sgt. Lopez’s gallantry and intrepidity, on seemingly suicidal missions in which he killed at least 100 of the enemy, were almost solely responsible for allowing Company K to avoid being enveloped, to withdraw successfully, and to give other forces coming up in support time to build a line which repelled the enemy drive.

Lopez became a Texan. Vanessa Guillen was Houston-raised. We may not have all that much power over our lives, but we do have the power to choose those whom we admire, those whom we aspire to be.

I choose “Mexicans.”





Two Golfers. And Rasputin. Oh, and Auric Goldfinger.

I voted today and it was painless, almost joyful. This is why.

At Latrobe, Pennsylvania, Arnold Palmer’s hometown, one of the candidates–the one who’s clueless, shameless, and gutless, if only in the moral sense—opened a campaign speech with an extended commentary on the size of Palmer’s manhood.

Manhood does not make the man. Rasputin was well-endowed, too. His member, thanks to macabre Russian archivists, is preserved in alcohol. Both the Russians and the candidate appear to be confused about this business of manhood.

It’s class and grace and courage that makes manhood. Palmer had all of these, all of them somehow embodied in a golf swing so violent that it might’ve summoned tornadoes.

Palmer was a polio-stricken greenskeeper’s son whose talent got him a scholarship at Wake Forest. When he became a pro, it was his personal magnetism and his charm that started peeling away the galleries from other pros. They became “Arnie’s Army.”

He was fearless and often took chances that cost him tournaments and huge prizes.

He was as cordial as his swing was violent. The Brits instantly loved him. Palmer loved children, including his own.



He broke my heart many years ago, when I was fourteen.

In the 1966 U.S. Open at San Francisco’s Olympic Club, Palmer dropped a seven-shot lead on the back nine of the final round, on Sunday. A playoff followed the next day. I stayed home from school to watch it.

I had just learned golf, and I adopted the same knock-kneed putting stance that Palmer used.

But his opponent in the Open playoff could sink a putt placed on Holland’s northern border and sink it in a cup holed just inside Belgium’s.


The man who’d tied him, a somewhat pudgy golfer named Billy Casper, a devout Mormon who eschewed beef for buffalo meat, defeated Palmer in the Monday playoff. I stayed home from school on Tuesday, too, all by myself.

Palmer was disconsolate. So was Billy Casper, seen here with his arm around Arnie’s shoulders.



Arnold Palmer meant as much to the classy, sportsmanlike Casper as he did to all of us.

The man who cracked wise about manhood, a subject he knows little about, knows nothing about sportsmanship, either–sportswriter Rick Reilly’s book about his golfing, Commander in Cheat, is more revelatory about Donald J. Trump as anything any political analyst has ever written about him.

He hits drives that disappear into sawgrass and suddenly reappear in front of the green. An opponent’s ball, once visible in the fairway, is found, resembling the  yolk of a fried egg, embedded in a fairway sand trap. He drives his golf cart over greens that are manicured with the care of Grace Kelly’s Hollywood stylists, greens that get more love than babies in a preemie ward.

He kicks inconvenient golf balls so regularly that his caddies secretly call him “Pele.”

Rory McIlroy will no longer play with him. Golfers like Bryson DeChambeau will, but he plays on the LIV Tour, sponsored by Mohammed bin Salman, who sees the public beheading of women as an invaluable tool for teaching his Saudi subjects proper citizenship.



Stateside, Trump historically has played his first round on courses he’s just bought and then declares himself the club champion. The clubhouse is later doomed to a monstrous portrait of the champion that would embarrass Jay Gatsby.




The way the Commander in Cheat plays golf was foretold by Auric Goldfinger—a man who, interestingly, shared the same hair color.


Before he died, Palmer openly expressed his distaste for Trump’s lack of civility, both on and off the course. Arnold Palmer was bewildered by a man who so openly and constantly disgraced himself.

Palmer, only to himself, disgraced himself in his performance at the 1966 Open at Olympic. He lost. He got over it. He accepted defeat.

That part of his character—his bedrock authenticity—is what made the jubilation with which he won such a joy to watch. I got over my heartbreak rapidly, too. I loved to watch this man in the same way I loved to watch Sandy Koufax, who refused a starting assignment, on Yom Kippur, in the World Series.

These men were the kind of men I wanted to be someday. The only quality that surpassed their athletic power and grace was their integrity. That is what I wanted more than anything else.






How has history influenced my life?

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This is a first draft–most of it borrowed from other writing of mine–of remarks I’m to give for the History Center of San Luis Obispo on October 19 at the beautiful octagonal barn just south of town.

I began my formal education in a two-room schoolhouse in the Upper Arroyo Grande Valley that had been built in 1888. Some of our desks still had inkwells. A two-cubicle outhouse was our restroom. One day a mountain lion came down from the hill above the schoolhouse and sniffed around our baseball field.

Just over the hill was a little family cemetery that contained the graves of the Branch family, rancheros and founders of Arroyo Grande. Mr. Branch, who died in 1874, is buried beside three daughters, all taken by smallpox in the summer of 1862. And nearby are the graves of a father and son, suspected killers, lynched from a railroad trestle over the creek in 1886.

I had no choice but to become a history teacher. Later, I had the chance to write books about the history—local history—that I love so much.

Me, teaching, I guess, at Mission Prep. It’s probably Civil War-era, either Whitman’s poem “Crossing Brooklyn Ferry” or Little Round Top on July 2 at Gettysburg.

The lynch mob’s victims, a father and his fifteen-year-old son, led to a book about San Luis Obispo County outlaws.

Finding a Marine’s tombstone—he grew up in Corbett Canyon and died on Iwo Jima three days short of his twenty-first birthday—led to a book about World War II.



My father was Madonna Construction’s comptroller. He took my brother Bruce and me on  an airplane with him once—I was six—while he bid a job in Marysville. The plane was Madonna’s twin-engined Aerocommander; the pilot was Earl Thomson, co- founder of the county airport. I was enthralled by that trip. Sixty years later, it led to a book about Central Coast aviators in World War II.

Alex Madonna, Gov. “Pat” Brown, and the Aerocommander.


My father liked to tell family stories. Dad and Dan Krieger were the best storytellers I have ever known, and that is how I taught history for thirty years.

My name, James Douglass, is from Dad’s family. James comes from my great-great grandfather, an undistinguished Confederate brigadier general. Douglass comes from his son, a young staff officer who had an unfortunate encounter with a Union artillery shell in Arkansas in 1862.  Dad’s stories about his family, influding these two, would lead to my writing a book about the Civil War and the sixty veterans buried in Arroyo Grande’s cemetery. To my distinct pleasure, they are all Yankees.

I do not want to cause a political ruckus here, but I am a Lincoln man.


Gen. James H. McBride, for whom I am named.


History can touch us in what seem to be the most casual of ways.

Last week I  spent a large sum of cash at the Arroyo Grande Meat Co. on Branch Street, and it was money well spent: Five grass-fed Spencer steaks for my son John’s birthday.

While I waited for the steaks to be wrapped, I remembered that

–This has been a meat market since 1897.

–It, and the storefronts alongside it, were built with brick quarried from Tally Ho Creek clay.

–The brick was fired in a lot owned by Pete Olohan, Saloonist Extraordinaire, and the building named for him includes today’s Klondike Pizza.

–Two of the early meat market partners were E.C. Loomis, he of the feed store, now empty, at the base of Crown Hill, and Mathias Swall, who also built the bank that is now Lightning Joe’s.

–Mr. and Mrs. Swall lived in the home that is now the Murphy Law Firm on Branch Street. They both loved music and played instruments and resolved to teach their children to play instruments, as well. There were twelve little Swalls. Noisiest house in town.

–E.C. Loomis’s sons, including Vard, a onetime Stanford pitcher who coached a local Nisei team, safeguarded the farms and farm equipment of their Japanese American customers during internment, among many local families who did so out of simple admiration for their neighbors, their values and for their devotion to the little town they shared.

–That is how Vard Ikeda got his name, and those families’ friendship is in part why two generations of Ikedas have been so incredibly important to local youth sports.

–Shortly before they were “evacuated” to internment camps in 1942, Japanese farmers came into the meat market to settle their bills. Paul Wilkinson, then the owner, refused to take their money. These were his friends.

“You keep it,” he told them. “You’re going to need it.”

After the war, they paid Mr. Wilkinson back. In full.


I grew up with schoolmates whose grandparents came from Kyushu, the southernmost Japanese home island. Some of my friends’ families came from the Azores and some from Luzon, in the Philippines.

When I was a little boy, the whistling of braceros—baroque and beautiful—woke me up summer mornings as they went down to the fields next to us for work.

I learned my first Spanish from them. Years later, one of my university Spanish professors took me aside to offer me one of the greatest compliments of my life::

“Mr. Gregory, you have a distinct Mexican accent.”

My first sushi was on a special Japanese holiday—I think it was Labor Day—at Ben Dohi’s house. Ben was married to a Yamaguchi sister, and Dr. Jim Yamaguchi came down with his wife and baby girl from the Bay area to visit. I got to hold Jim Yamaguchi’s daughter. Her name was Kristi. She would grow up to be an Olympic gold medalist. I did not drop her.

Kristi Yamaguchi, 1992 Winter Olympics




Mary Gularte took pity on me one cold morning when the schoolbus was late. She took me inside her kitchen and kept an eye out for the bus while setting a dish of sopa—Portuguese stew—on the kitchen table in front of me. I inhaled it. I did not have to eat the rest of the day.

My friends included families with surnames like Pasion and Domingo and sometimes they’d bring back sugarcane from the Philippines and gift me with a stalk to gnaw on. It was wonderful, but I later discovered lumpias, the divine Filipino egg roll, at the Arroyo Grande Harvest Festival. It gave me the greatest pleasure to watch Filipino mothers, most of them, once upon a time, war brides, watch me as I took my first bite of lumpia. My reaction must have been transparent. They beamed.

These were the helping hands that built our county. They helped me in my growing up. These people filled me with their history, by which I mean our history, and they remind me that history is always around us, sometimes just beyond the reach of our understanding. I write about history because I owe the past so much. My writing is the least, and it’s the very least, that I can do for my friends, including those I never had the chance to meet.

My grandfather, Ozark Plateau farmer John Smith Gregory (1862-1933) died eighteen years before I was born. He was the sweetest waltzer in Texas County, Missouri; I wish he’d lived long enough to teach me how to dance.

Let us take a moment to celebrate Antonio Banderas…

I was just working on a history presentation on local outlaws that included this song, Banderas singing, from the opening to Desperado. I admire the way he restores order.

And, of course, he opens Once Upon a Time in Mexico with a little guitar work…



Oh, no. Banderas does not stop there. “Oh, What a Circus!” from Evita, at the Royal Albert Hall.

And, of course, the man can dance, too. Damn him. A tango with Catherine Zapata.

I cannot think of an actress who stunned me more than Catherine Zeta-Jones in 1998’s Zorro. So let’s allow Banderas to dance with her, too. “That is the way they are dancing in Madrid these days.”



Just one more point. Any guy whose friends carry guitar cases that double as rocket launchers HAS to be my kind of guy.



A roomful of inspiration: Women pilots, Paso Robles, California

WASPs walk a flightline of AT-6 Texans, World War II

I was honored to speak to the Southwest Section of the 99s, the women pilots’ organization, at the Estrella Warbirds Museum, another favorite, last night. I have to admit that it was a thrill. For one, it was a packed house. For another, I was happy to see that the pilots were of all ages, from their early twenties to women who have been 99s for over 40 years.

I talked about the history of local aviation, including women pilots, and then about the Women’s Airforce Service Pilots (WASPs).

Over 1,000 WASPs augmented the military flying force by ferrying combat airplanes from factory to field, test-flying repaired trainers, towing targets and other tasks. Thirty-eight died for their country, but since they were technically “civilian contractors,” the Army refused to pay for their funeral expenses. They were summarily fired in December 1944.

It took thirty-two years for Congress to finally recognize them for what they really were: Military veterans of World War II.

In talking about these incredible women last night, I’ve rarely had a livelier audience. They cheered when the name of Elizabeth Dinan, a legendary local pilot and flight instructor, appeared, and when the image of Blue Angel Amanda Miller appeared. (Elizabeth’s P-40 Warhawk earrings endeared her to me, immediately.) They liked this slide, and they laughed, a little ruefully, at its message. (The cadets in training did not share their commanders’ view. Many came to the WASPs for advice: “What should I do if my plane….?”)



The 99s were so much fun for me. Afterward, folks came up to me to talks awhile. A man suggested I research “Lucky” Penny, the Air Force fighter pilot who was ordered to scramble, unarmed, on 9/11. She decided that if it came to that, she would ram one of the hijacked jets. I met another local woman, now retired, who became a DC-10 pilot. I was so thrilled that I almost started hopping up and down, like I did the time the B-17 “Sentimental Journey” passed over AGHS and interrupted me, happily, in the middle of a lecture on the Thirty Years War. I ran outside my classroom and began hopping up and down—“A B-17! A B-17!”— with my students staring at me. They looked a little worried.


What the 99s did was validate the interest I discovered in teaching women’s history as part of the AP Euro course at AGHS. It’s part of a larger topic, social history that, along with military history, is important to me.

Thank you, San Luis Obispo 99s, for your invitation to speak.




David Lean and Oliver Twist (1948)

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Lean and Peter O’Toole, Lawrence of Arabia

I’ve always thought of the director David Lean in terms of vastness and Technicolor. The desert scenes in Lawrence of Arabia come to mind—it’s said that thirsty theater patrons mobbed the concession stand for Cokes at the intermission. The most epic entrance in film history, I think—when Omar Sharif kills the Bedouin stealing water from his well—is an example of vastness.

And in Dr. Zhivago—theater patrons were warned to wear sweaters because that film’s cold was so vivid—there’s a set piece, where Lean communicates “cold” as Sharif’s Zhivago and Lara seek refuge from the Revolution in his family’s dacha, far, far away from Moscow or what was no Petrograd. It’s stunning and Dickensian scene, like Miss Haversham’s cobwebbed parlor and wedding cake in Great Expectations.


Dickens’ novels had as their fattest pages richly-depicted English eccentrics, from the delightful Micawber to the lizard-like Uriah Heep to the tragic Sidney Carton. In Bridge on the River Kwai, the Allied POW’s are led by Alec Guinness, who has crossed the line that divides eccentricity from madness. (The film also features one of William Holden’s finest performances.) Alert moviegoers might have spotted something off at the film’s beginning, when Guinness’s Col. Nicolson marches him POW’s into camp while whistling “The Colonel Bogey March.” It’s a little mad.




But long before Lean made grand color films–Ryan’s Daughter, while not among his great films, still made evocative use of the Ring of Kerry, a landscape far different from that of the Arabian desert.


I realized that Lean’s earlier work, in black and white, is just as stunning. I’d long ago seen Great Expectations, with John Mills and Guinness, but I hadn’t seen Oliver Twist in a long time. It’s a film that makes you feels as if you’re inside a Dickens novel (Turner Classic Movies noted that the film’s dialogue was lifted almost verbatim from the novel.

Oliver asks for more. Illustration by George Cruikshank.

What struck me in yesterday’s viewing was the pathos of Oliver’s mother as she trudges exhausted, to the workhouse where she will give Oliver life and lose her own. Someone had the idea of setting the scene (the original, with its sound effects, is stunning) this one’s set to haunting music from an Australian World Music duo, Dead Can Dance. I don’t know if David Lean would approve. For what it’s worth, I do.





Why Arroyo Grande’s history may be far more important than we realize

I don’t post this to be bragging.

Wait. Maybe I do.

But I post so much, espeically on Facebook, about history stuff that I hate the idea of me sounding like I am bragging.  My Irish-American mother had, as one of her central teachings, that there was no sin quite so terrible as the sin of Pride.

Here’s the deal, Mom. I am now seventy-two, and I have enough stories inside me for two lifetimes. Each story I write takes days of research. Each of the little books I’ve written represent a year of work.

If I don’t get the stories I have left out, they will be lost.

Mom died when I was seventeen, but, as I once told my high school students, she was alive in me every day I taught them. She was right there beside me. Her passion was social justice.

It was Dad’s voice alive in me in the stories I told the teens I loved to teach, at both at Mission Prep and then at my Alma Mater, AGHS, and there’s no better way to teach history than to tell stories.  My father was a mesmerizing storyteller. He was right there beside me, too.

Me, being emphatic, as usual, Mission Prep.

So the little stories I post on Facebook—and the marvelous, evocative stories told by my friend Michael Shannon, who grew up near us in the Upper Arroyo Grande Valley–are begging to come out. Michael’s stories a lyrical and vivid and, given his four generations in Arroyo Grande, they have roots that make them even more authentic and timeless.

As soon as Michael and I think of one story, another one surfaces. I was asked recently to give five or six examples of acts of kindness, selflessness or sacrifice from Arroyo Grandeans from our past.

I wrote twelve.

Seven more are waiting to be written.

Michael could double those.

Both of  us are in our seventies. Neither of us, I think, writes to show ourselves off. We write, instead, to show off people from our hometown’s past whose lives were marked by grace, or generosity, by sacrifice or by courage.

Most of all, Michael and I are drawn to stories about people whose lives were marked by kindness.

These people are our heroes.


I’ve written, too, about our town’s failures–the mob that descended on Chinatown in 1886 and forced the residents to flee, the double lynching a few weeks later, the ugly bigotry directed at Filipino immigrants, the few locals, motivated by envy directed toward the Japanese immigrants who’d become so successful, who applauded Executive Order 9066.

The fact remains that the heroes far, far outnumber the cowards from our past.

They have to be written about. They have to be remembered. In however many years I have left to me, I want to be part of remembering them.

Sgt. George Nakamura

Here is one of my favorite stories; I’ve told it many times before, but for some of you, this might be the first time.

AGUHS grad and Army Intelligence Officer George Nakamura, posing on the car (note the bald wartime tires) when he was studying his family’s Japanese in, of all places, Minnesota. Some of his instructors would’ve been intelligence officers, too. Many of them were women.

Nakamura was part of a team attached to–and meant to spy on–Mao Zedong’s guerrillas as they fought the Japanese in the mountains of Ya’Nan Province.

Nakamura disguised himself as a Chinese peasant to go behind Japanese lines to rescue a downed American flier. He was twenty years old.

When he turned twenty-one, the former sports editor of the AGUHS “Hi-Chatter” had so charmed his hosts that they threw him a birthday party. Somebody had a record player.

So the female fighters took turns dancing with the former editor of the AGUHS “Hi-Chatter.”

One of them was a famous prewar film actress, Jiang Qing.

She was the boss’s wife. The woman who danced with Nakamura would be far more famous by her married name: She was Madame Mao.

That’s a hell of a story. There are thousands more from this little town. There are so many stories; there is not nearly enough time.